Finally done it, I now have a new website and facebook page! This blog will no longer be updated, instead you can find out about my work, upcoming news and contact me at the following addresses:
Katie Owen
Contemporary Jewellery
Tuesday 1 April 2014
Friday 5 July 2013
Post New Designers
Back home after a busy week exhibiting at New Designers. Great fun, met loads of new people and I think overall, definitely worth doing.
Here are some photos from the stand:
Also got the chance to speak to other exhibitors, both new graduates and makers in one year on. Really cool and interesting work, here are some of my highlights:
Here are some photos from the stand:
Work by Neill Curran |
Whole Stand |
Work by Katie Owen |
Work by Katie Owen and Ray Church |
Work by Ray Church and Lyndon James Davies |
Work by Lyndon James Davies |
Neill, Poli, Katie, Lyndon, Ray |
Also got the chance to speak to other exhibitors, both new graduates and makers in one year on. Really cool and interesting work, here are some of my highlights:
Drew Markou - www.drewmarkou.co.uk |
Sian O'Doherty - www.sianodoherty.blogspot.com |
Carrie Dickens - www.carriedickens.co.uk |
Kelly Munro - www.kellymunrojewellery.com |
Elizabeth Campbell - www.elizabethjcampbell.co.uk |
Han-Chieh Chuang - www.hanchiehchuang.com |
Sunday 16 June 2013
New Designers
Next Stop, London Business Centre for graduate show New Designers. I
will be exhibiting my jewellery alongside ceramic work by Poliana
Bandeira, Neill Curran, Ray Church and Contemporary Enamelware by Lyndon
James Davies.
DATE - 26TH - 29TH JUNE 2013
PLACE - BUSINESS CENTRE, LONDON
STAND NUMBER - CAA33
EXHIBITORS:
DATE - 26TH - 29TH JUNE 2013
PLACE - BUSINESS CENTRE, LONDON
STAND NUMBER - CAA33
EXHIBITORS:
Katie Owen’s contemporary jewellery and small
sculpture draws source material from the built landscape and related found
objects. The work takes inspiration from abandoned industrial structures
situated on the outskirts of towns and cities, referred to as ‘Edgelands’. The
jewellery pieces involve multiple, interchangeable parts featuring enamel
elements. When not on the body, these interchangeable parts exist as feature
elements on small concrete and metal sculptures.
ktlo90@hotmail.co.uk
Lyndon
James Davies - designer
maker - When
Lyndon’s not flying up and down forest trails on his bike, he will be tootling
along at snail speed on road trips in OJO, his old Commer camper van. Lyndon’s creative
practice brings together inspiration from these elements in a range of
enamelware. The surface designs feature Commer and VW motifs created by
photographing old unloved toy cars.
Poliana Bandeira is a ceramic artist who is inspired
by natural structures and geometrical forms. Her latest work explores the life
cycle of butterflies and their transformation as continuity of life. Her
biomorphic sculptures are hand built in stoneware using coiling techniques and
finished with layers of dry glazes.
ceramics@polianabandeira.com
Ray Church – Ceramic artist who makes
classical styled thrown vessels. Ray’s inspiration is drawn directly from the
use of imagery on classical pottery originating mainly from Greece. The images and surfaces are acute
and challenging commentaries on our
society and culture today. He has retained aspects of specific symbolic
elements of Greek mythology and juxtaposed them with contemporary images in an
attempt to convey a social discourse; such as class, digital culture and social
stereotypes.
mail@rfchurchceramics.com
Neill Curran is a potter and ceramic artist who
makes thrown Raku and soda fired vessels with distinctive and dramatic
surfaces. The current theme of his work involves the uses of Anamorphosis, the
idea of creating an exact viewpoint from which to view geometric shapes. The
Anamorphic marks on the surface of the vessels are embedded by smoke
penetrating the surface of the vessel. He is also incorporating an oriental
theme within his work with the use of Japanese cultural symbols.
Saturday 16 February 2013
Sketchbook
Third Year Work
I seem to remember saying I would try to keep this updated more often...
Well third year's going really quickly, already halfway through it and since my last post I have experimented a lot, made new pieces, written a dissertation and now have enough ideas to take me into my final degree show work.
To briefly summarise the direction my work has taken since the project started here is my statement as it currently reads:
Here are some photos of some of my more experimental pieces from the beginning of the project and also leading up to where I currently am:
Well third year's going really quickly, already halfway through it and since my last post I have experimented a lot, made new pieces, written a dissertation and now have enough ideas to take me into my final degree show work.
To briefly summarise the direction my work has taken since the project started here is my statement as it currently reads:
The inspiration behind my current project lies in industrial structures situated on the outskirts of towns and cities. Referred to as ‘Edgelands’, these are places which tend to be overlooked as we don’t come into prolonged contact with them on a day to day basis.
My interests lie particularly in objects and structures which have surpassed their original function and provoke questions of curiosity when we engage with them - What were they? Why have they been left in this state? How long for? What could they be?
Uninhabitable and left to decay, they now lie on paths connecting us on our routine journeys from place to place, left only with the marks we leave as evidence of our passing through, marks which I aim to explore through processes such as enamelling. Through both these brief encounters and the process of decay, aspects of these structures become altered over time, changing them, presenting us with their history and a different narrative each time we pass by. This forms our connection with places like these.
They speak of their previous function and potential future through a layering of narratives. They cannot be fixed in time, they will continue to change. By working in multiples and through the interchangeable nature of my work, I can address this by encouraging people to engage with my pieces and make their own decisions to construct their own narratives.
Here are some photos of some of my more experimental pieces from the beginning of the project and also leading up to where I currently am:
Series of small component pieces |
Enamel Samples |
Assemblage of objects - Working on suitable brooch pieces |
Learning something new! - Braising |
Potential brooch piece |
Neckpiece with interchangeable parts |
Assemblage for neckpiece |
Neckpiece with interchangeable components, version 1 |
Neckpiece with interchangeable components, version 2 |
Brooches with interchangeable components, version 1 |
Brooch with interchangeable components, version 2 |
More to follow
Saturday 22 September 2012
Photo update
It has been such a long time since I posted anything, but now that summer's over and it's back to college for year 3, hopefully I'll be updating a lot more about my new project. All about the idea of the 'treasured' object (a full statement will follow soon once I actually get round to wording it properly!)
Until then, here are the photos I had taken of my smaller pieces from my last project:
Unfortunately, I don't have a proper image of the last one which is actually made up of two parts - the main brooch (above) linked by handmade chain to a smaller brooch.
Until then, here are the photos I had taken of my smaller pieces from my last project:
Photography by Gina Hughes |
Photography by Gina Hughes |
Photography by Gina Hughes |
Photography by Gina Hughes |
Photography by Gina Hughes |
Photography by Gina Hughes |
Photography by Gina Hughes |
Own Image |
Unfortunately, I don't have a proper image of the last one which is actually made up of two parts - the main brooch (above) linked by handmade chain to a smaller brooch.
Friday 13 July 2012
What Next?
A bit of quiet time on the blog recently as things are starting to slow down a bit. Still making a few more sea wreckage brooches like the ones I previously posted about, will be having them photographed properly next week! I've also been able to make a dent in the large pile of books stacked up beside my bed that I've bought over the past few months, but haven't had time to read yet. Should keep me pretty busy, I think...
These are all part of the new research, I've started looking at people and their relationship with objects they collect, what they hope to tell people by displaying them and the decisions we make to hold onto one thing and throw away another - memories/stories/reminders. Also still looking for new places to explore, reading 'Edgelands' is giving me ideas about places that are not nessecarily abandoned, just out of the way/overlooked in day to day life. Still early days yet mind you, vague outlines will sort themselves out into some sort of order over the summer.
While that happens, take a look at this man Jorge Castanon
He rescues found objects from the hidden spaces he explores and uses them in his work, not as a response to what is there, but what is not...
These are all part of the new research, I've started looking at people and their relationship with objects they collect, what they hope to tell people by displaying them and the decisions we make to hold onto one thing and throw away another - memories/stories/reminders. Also still looking for new places to explore, reading 'Edgelands' is giving me ideas about places that are not nessecarily abandoned, just out of the way/overlooked in day to day life. Still early days yet mind you, vague outlines will sort themselves out into some sort of order over the summer.
While that happens, take a look at this man Jorge Castanon
He rescues found objects from the hidden spaces he explores and uses them in his work, not as a response to what is there, but what is not...
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